Juried Fine Art Photography Exhibitions in a Dedicated Gallery
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Submissions to Far Away Places close in

Red

Exhibition Opens October 25th Artists Reception on November 4th 3PM
Juror: Brooks Jensen and Maureen Gallagher

Juror's Choice "Best Friends" by Lisa Howarth Montreal, Canada

Juror's Choice: Lips1 by Elisabeth Pollaert Smith Larchmont, NY USA

Exhibit Calendar
(subject to change)
Submissions Close 19-Sep-12 Midnight EST
Juror' Choices Announced by 25-Sep-12
On-Line Check-in Due 11-Oct-12
Work Receipt Deadline 22-Oct-12
Exhibit Opens 25-Oct-12
Artists Reception 4-Nov-12
Exhibit Closes 18-Nov-2012
Red Exhibit Catalog now available at VioVio
Red.
A primary color.
Light. Laser. Sunset. Earth. Brick. Fire. Lips. Blood. Heart. Heat.
Heroism. Rage. Loyalty. Aggression. Honor. Evil. Love.
Stop.
Curry. Pepper. Paprika. Pomegranate. Cherry. Apple. Red Dress. Red Riding Hood. The Scarlet Letter.
The Red Badge of Courage.Raise the Red Lantern.
Happiness. Success. Fortune. Fertility. Passion. Lust.
The Feast of the Martyrs.
Rose. Ruby. Cardinal. Sin.
Loss.
Communism. Socialism. Revolution. And, a safelight in a Darkroom.
Red. Roja. Rosso. Rouge. Red. Rot. Rooi. Roig. Rood. Red. Roge. Rudhira. .
RED.

Juror's Statement Below


Lips1
Juror's Choice

Elisabeth Pollaert Smith
Larchmont, NY USA
Best Friends
Juror's Choice
SOLD

Lisa Howarth
Montreal, Quebec Canada
Car in a field
Honorable Mention

Elisabeth Pollaert Smith
Larchmont, NY USA

a sinking realization
Honorable Mention

Hugh Jones
Arlington, VA USA
Bloodshot
Honorable Mention

Keith Parks
La Mesa, CA USA
Red Carpet Solo
Honorable Mention

Suzan Mandla
Ottawa, Ontario Canada

Pensive Novice Monk
People's Choice

tom cheatham
durango, co USA
Heavenly Doorway

al garber
Santa Fe, New Mexico USA
Across

Aneta Szydlak
Berlin, Germany

Barn in Back Field

Benita VanWinkle
Winston-Salem, NC USA
Phyli and Red Veil

Bert Halstead
Belmont, MA USA
Abandoned Roundhouse

Bert Halstead
Belmont, MA USA

Red Candles

Bert Halstead
Belmont, MA USA
Morning at the Tsukiji Fish Market

Bert Halstead
Belmont, MA USA
Girl in Korean Garden

Bob Tetro
Arlington, VA. USA

Brita, Bed

Christopher Lee Donovan
Chester, NH USA
Untitled

Dana Shelley
Fajardo, PR USA
Cuban Dominoes

Daniel Kramer
Houston, Texas USA

Willie Nelson

Daniel Kramer
Houston, Texas USA
Mysterium #5

David Weinberg
Brookline, MA USA
Flow

Dok Wright
Burlington, VT USA

Private Window

Don Rice
Carbondale, Illinois USA
Sneem, County Kerry

Ed Friedman
Arlington, MA USA
Bicycle Amsterdam

Elisabeth Pollaert Smith
Larchmont, NY USA

Plymouth in the Rain

Elisabeth Pollaert Smith
Larchmont, NY USA
Plymouth in the Rain

Elisabeth Pollaert Smith
Larchmont, NY USA
Guest House, Martin's Creek, PA

Emma Horning
Emmaus, PA USA

Passion

Gary Mitchell
Dayton, Ohio USA
One stands out from the others

George Hamlin
Fairfax, Virginia USA
Birdseed Vendor

George S. Gati
Beekman, NY USA

Head to Head

Gerry Davis
Williston, VT USA
Dancer

Hemali Acharya Zaveri
San Francisco, CA USA
Hoop-it-Up

Henry Fernando
Ottawa, ON Canada

Red Doughnuts

Ingrid Lundquist
Granite Bay, CA USA
Lips

José M. Gómez-Ros
Madrid, Madrid Spain
Untitled

Kerry Rowand
Clearwater, FL USA

Red Barn

Kim Gifford
Bethel, VT USA
Red Poppy

Larry A Dunn
Swampscott, MA USA
Cemetery's Dawn

Lisa Howarth
Montreal, Quebec Canada

West Monitor Barn

Lou Borie
Richmond, VT USA
Geraniums
SOLD

Louise Halstead
Belmont, MA USA
Passion

Maren Becker
Boeblingen, Germany

Jessica

Marian Rubin
Montclair, NJ USA
Red III

Mariana Bartolomeo
Tucson, AZ USA
Red Turban

Marti Belcher
Vienna, Virginia USA

Beauty in Strength

Meaghin Ludwig
Pacific Palisades, CA USA
Cowboy

Norma McGehee Woodward
Fredericksburg, VA USA
Choices

Patty Maher
Terra Cotta, Ontario Canada

Inner Light

Patty Maher
Terra Cotta, Ontario Canada
Frosted Apples

Peggy Reynolds
Essex Jct., VT USA
Casa Luna at Night

Penelope Clute
Plattsburgh, NY USA

A Chili Story

Rashiq Muhamad Ali
London, London United Kingdom
Waiting

Richard Goodman
Oakland, Ca USA
Boy Playing

Rick Bucknall
Hampton, Victoria Australia

From the series "Floristics"

Ruslan Nurgaliev
Saratov, Russia
Bruce, Cross House, Chicago, IL

Selena Salfen
Burlington, VT USA
Rainy Day

Stephanie Kirk
West Chester, PA USA

Failing Health

Steven Millman
Boynton Beach, FL USA
There is a Crooked Window

Steven Millman
Boynton Beach, FL USA
The End of America

Steven Millman
Boynton Beach, FL USA

Sin Will Find You Out

Susana O'Docharty
Houston, TX USA
Rustic

Suzan Mandla
Ottawa, Ontario Canada
Havana

Suzanne Engelberg
Tiburon, CA USA

The Littlest Monk

tom cheatham
durango, co USA
Rainy Yellowstone

tom cheatham
durango, co USA
Meeting expectation...

Vera Kirilenko
Moscow, Russia

zhouzhuang, china

Wendy Simmons
Brooklyn, NY USA
beijing, china

Wendy Simmons
Brooklyn, NY USA
The Red Door

Yiannis Logiotatides
Athens, Attiki Greece


Juror's Statements:

As an editor of a publication dedicated to black-and-white fine art photography, it was an interesting (and fun!) opportunity to work with color – especially since the participants were focusing on just one color: RED. Every juror has their way of whittling down to their final selections. In my process of elimination I retained images where RED was essential (rather than incidental) to the image. That eliminated the images where RED was present, but not necessarily making a strong visual statement. Of interest is that there were a number of photographs that may have made the exhibition cut, but the unnecessary “stuff” left at the edge of the image was just too distracting. A bit of subtle cropping can go a long way to tidy-up the intrusion of clutter into the rest of the print. This is probably the most common oversight we see while conducting portfolio reviews for LensWork.

When it came down to selecting my prize winners, I must confess that I had a more difficult task. I chose “Best Friends” for Juror’s Choice, as I loved the rich feeling of atmosphere – with the trees reflecting in the glass as well as casting shadows on the doors. RED was essential to this image: I can’t imagine that “Best Friends” would be as captivating if these were brown doors shot at noon.

I selected two completely different images for Honorable Mention: “Red Carpet Solo” was shot from the perfect perspective to juxtapose the monochrome gray lines of the concrete and glass with the bold ribbon of RED running the length of the entry. I appreciated that the photographer was careful in achieving clean lines – and the addition of a person brought a sense of scale and austerity. My other choice for Honorable Mention, “Car In Field,” offers an untold story in a land that clearly loves the color RED. Maybe this is a case of “f8 and be there,” but the green landscape and gray sky conspired to give the photographer a wonderful study in RED.

Maureen Gallagher

Photography offers a fundamental choice to anyone wanting to use a camera for more than just family snapshots. The moment we pick up a camera and set out to make something we might call “art,” we must first decide if we are editors who select which tiny part of the world to capture in our recording or whether we are more proactive in making something in the world, or out of it. The former leans toward the documentary side of photography’s capabilities; the latter leans toward the use of the world as merely a starting point for an interpretive act of creation. Both kinds of photography are valid and interesting, but as the years have gone by in my involvement in photography, I find myself more and more drawn to the interpretive side of creation. Photography is not just what we see, but even more so what we make.

Where these two strategies intersect is one of the most powerful point in the photographic process — as I would propose is easily seen in the work in this exhibition. Powerful seeing and imaginative making combine into a most exciting duo in the creative process. The selection of a Juror’s Choice image is based on this combination — a beautifully seen composition in combination with an imaginative making that brings the theme of the exhibition to the forefront. In fact, there is so much talent on display in this exhibition that we have here proof that this is one of the best times in all of photograph’s history, simple because of the plethora of great images that are being produced by so many people who find photography an ideal medium for personal expression. Well done!

Brooks Jensen

All selected entries are exhibited in our gallery and included in a full color exhibit catalog. Juror's Choice receives a 30x48" vinyl exhibit banner featuring their image.

For this exhibition each juror will make a Juror's Choice and the winners may choose a:

  • 40-minute eConsulation with Brooks - $60 value
  • OR a one-year Full Access Membership to LensWork Online - $59 value

Each juror will also choose TWO Honorable Mentions. The winners may choose a

  • A one-year Subscription to LensWork Magazine (print version) - $39 value
  • OR a one-year Subscription to LensWork Extended (DVD version) - $39 value

People's Choice gains free entry into a future exhibit. We offer free matting and framing of accepted entries for the duration of each of our exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs.



Juror: Lenswork's Brooks Jensen and Maureen Gallagher

Brooks Jensen is a mainstay at the popular Review events such as Photolucida and the Houston FotoFest. As a fine art photographer, author, and educator, he has counseled one-on-one, hundreds of photographers on their work, technique, and careers through personal reviews, and many more through his workshops, books, and multi-media outlets. As publisher of LensWork, he has reviewed thousands of submissions over the last 20 years. He brings a studied eye, to say the least, to his Jury task for our exhibition “Red.”

LensWorkBrooks Jensen, together with Maureen Gallagher, are Co-Editors of LensWork Magazine, LensWork Extended, and LensWork Daily, an online resource for news, technology, commentary, and discussion through blogs and podcast. The award-winning LensWork magazine is an anthology-style periodical published bi-monthly, featuring LensWork3-4 portfolios, articles and commentary, and is devoted to fine art black & white photography. It was first printed in September of 1993 and is currently available in print and for download. LensWork Extended is its expanded online companion, also featuring color work, available on disc and for download. At www.lenswork.com you’ll find easy access to extensive educational opportunities through downloadable short and long tutorials, books and eBooks, and audio interviews, in addition to the LensWork Daily blogs, and an extensive collection of beautiful museum-quality publications.

Brooks and Maureen are a perfect pair to Jury “Red.” Jurying for single-color focused images requires a particular, deliberate scrutiny. We are convinced that their combined experience in observing the fine points of black & white imagery (including tonality, shade and shadow, texture, density, and full-spectrum grey scale) would lend incredibly vigilant eyes to the single-color focus. They are highly sensitive to color, and with their LensWork Extended color-included online review additions, “Red” is the perfect foray for this dynamic duo.


Please do not contact jurors regarding your entry in this exhibit. Doing so will disqualify your entry.

 

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Juror's Choice: "The Pathologizers, 2" by Maureen Price, Glendale, CA USA